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CALLIGRAPHY VIA CORRESPONDENCEAre you interested in calligraphy but don't have a tutor nearby? Have you taught yourself the basics from books, but want to learn more? Are there calligraphy classes in your area, but your busy life don't allow you to take them? Do you prefer learning from your home and at your leisure? Then perhaps a correspondence course is something for you.
Which hands can I study? The foundational hand is beautiful, clear and easy to read. It is based on an underlying geometric shape and is a very good starting place for any calligrapher, beginner or not. It can be used with success for most purposes and situations - poems, invitations, all kinds of labels, greeting cards etc. A sound knowledge of the foundational hand will stand you in good stead as you continue to study other hands in the future. The italic hand is the back bone of many a calligrapher - amateurs as well as professionals - and has a beautiful, flowing rhythm to it. It's easy to read and highly suitable for flourishes. The variations are endless, and there is hardly any place where italic calligraphy would not look good. Modern uncials are highly decorative letters with a classic, ageless look and suits both beginners and more advanced students. This hand goes well with almost every occasion - jam labels, invitaions, menus, greeting cards, traditional manuscript pages etc - and is therefore very useful to both amateur or professional calligraphers. In the future you will be able to take courses in gothic and Roman capitals. Copperplate and Spencerian will not be offered though, due to personal lack of experience with these scripts.
Instructional videos When clicking the image to the right of this page you will see a short demonstration of how these videos look (in a small format). It requires a Flash plug-in on your computer, which is a fairly common technique. If your browser doesn't have it, you will be directed to a downloading site.
Why should I take a correspondence course?
Some of the above applied to me in the mid 90's, and when the opportunity arose to take a couple of international correspondence courses, I immediately signed up and learned more than I thought was possible. Based on this experience as a student I wrote my own courses a couple of years (and hundreds of hours of practice) later. I hope that you will also appreciate to study calligraphy this way, and that you will benefit as much from it as I did. This method of studying may perhaps not suit everybody equally well, though. I know from experience that visually oriented people can find it hard to learn from written instructions, but it's by no means impossible. If you know you are visually oriented you may have to take this into consideration. The instructional videos will help a lot here, though. If you know that you benefit from written instructions and are willing to spend some time practicing on your own, I'm certain that you will have moved a few steps along the learning curve after taking this course.
How does it work? At the end of each lesson the assignment is sent to me for constructive criticism. Ten to fourteen days later (most of this time is postal delivery) you will get your assignment back with detailed comments and mostly also individually tailored illustrations that help you understand what you can improve, and how to do so. This feedback will make you see what is already good in your lettering, and also point out where you need to pay closer attention to details. You also have the option to scan and email your work instead of posting them in the snail mail. It will be much faster, but some details can be lost when scanning and your constructive criticism may not be quite as detailed. Also, it requires scanning skill on your part. You will get more info about this when you sign up. The criticism you will get is clear and precise, always honest and supportive and never derogatory in any way, and it will point out to you where both your strengths and your weaknesses are. Each lesson is scheduled to take four weeks of practice. However, sometimes "real life" tends to get in the way. That is by no means a problem; you can take almost as long as you wish to complete each lesson. The reason for the four week "deadline" is that most people think it's good to have a set date to work towards, but this time frame is not cut in stone in any way. However, you have to complete all three lessons within one year, which I believe is a rather generous time frame. Homework that has not been sent one year after signing up is forfeited. During the lessons you are free to email me with any question you may have regarding the courses, and you will have a prompt response (with the time difference taken in consideration). That direct communication in combination with the individually tailored criticism, is what makes these courses much more valuable than just a book. My goal is that the contact between you and me will be equally important as the actual text and lettering samples. The communication between you and me will be in English. For me personally, English is almost easier to use than my native language Swedish when the subject is calligraphy. I believe that is because almost everything I read about calligraphy is in English - the e-mail conversations, the books, the internet etc.
Who can take a course? Your age doesn't matter at all - my Scandinavian students have been as young as thirteen and as old as sixty-nine!
What is the fee and how do I pay?
You can pay either via a bank transaction or via PayPal. You will get the payment details when you sign up, and the first assignment is sent to you as soon as the payment is recorded. Note that the fee is non refundable once you have signed up. The fee includes course material in the form of text and lettering samples, a set of guidelines, and of course the personal criticism, which is the actual core of the courses. You will get access to a password protected part of the website where you can download more guidelines and also watch the instructional videos mentioned above. The letter of criticism with suggestions and hints to improve your lettering is usually around one and a half printed page, and mostly a sheet or two of illustrations is included, showing where you need to pay extra attention to the strokes. You will not need any other books to complete the lessons. Note that the pen is not included in the fee. Steel nibs are not compulsory; you will do fine with a fountain pen or marker. I would recommend a fountain pen though; they give crisper lines and do not wear as quickly as a marker does. If you don't have or don't know where to get a good fountain pen you can order the best fountain pen on the market from me when you sign up. I carry the Pilot Parallel Pen in different sizes as well as extra cartridges, and as a student you can order the Pens at discount price. I also carry Tape steel dip nibs in six different sizes if you want to try those, pen holders and walnut ink in crystal form. Beyond the pen you only need paper (ordinary office paper will do fine), a pencil and a ruler.
When can I start?
How do I sign up for a course?
Comments from students
If what you have read here has sparked an interest for this course you are very welcome contact me. Send your name and address to marie@kalligrafi.com and we can continue discussing the details or get started right away. I am convinced that we could learn a lot from each other! | |||||||||||||||||||||||
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